Bryn Mawr Film Institute
824 Lancaster Avenue
Bryn Mawr, PA 19010
11am-1pm
A collaboration between Special Collections and the Center for Visual Culture.
For more information, see www.brynmawr.edu/elliega
Category Archives: Events
February 2, 2022 – Pablo José López Oro, Ph.D.
Assistant Professor
Department of Africana Studies
Smith College
2021-2022 Miriam Jiménez Román Fellow, The LatinX Project, New York University
“Visualizing Indigenous Blackness: A Visual Ethnography of Garifuna New Yorkers”
Please register here.
February 9, 2022 – Ana Lucia Araujo
Professor of History, Howard University
“Exhibiting Slavery: A Visual History of Slave Collars”
Several permanent and temporary exhibitions in Europe and the Americas have attempted to represent slavery by featuring physical punishment. To achieve this goal most exhibitions display instruments of torture such as chains, shackles, and collars. To understand the broad implications of these representations of violence, this lecture attempts to build a visual history of slave collars. First, I retrace the use of lave collars to Antiquity. Second, I use engravings and paintings dating between the seventeenth and nineteenth centuries to show how the representation of slave collars was widespread in European art during this period, therefore confirming the visible presence of enslaved people in Europe. Third, I connect these representations to similar devices today housed in museum collections in the Netherlands, Portugal, England, Brazil, and the United States. Finally, I discuss the broad implications of displaying this kind of torture device in museum exhibitions today.
Please register here.
February 28, 2022 – Special Evening Lecture with Paloma Checa-Gismero
Monday, 7PM
Assistant Professor of Art History, Swarthmore College
“Aesthetic Conversions and Generational Takeovers at an Art Biennial in the US/Mexico Borderlands”
Please register here.
March 14, 2022 – Special Evening Lecture with Artist and Curator, Elia Alba
Monday, 7PM
Artist talk.
Elia Alba (she/her) was born in Brooklyn to parents who immigrated from the Dominican Republic in the 1950s. She is a multidisciplinary artist whose artistic practice is concerned with the social and political complexity of race, identity and the collective community. She received her Bachelor of Arts from Hunter College in 1994 and completed the Whitney Museum Independent Study Program in 2001. She has exhibited throughout the United States and abroad. Those include the Studio Museum in Harlem, El Museo del Barrio, Stedelijk Museum, Amsterdam; Science Museum, London; Smithsonian Museum of Art, El Museo del Barrio, National Museum of Art, Reina Sofía, Madrid. Awards include the Studio Museum in Harlem Artist-in Residence Program 1999; Pollock-Krasner Foundation Grant 2002; Joan Mitchell Foundation Grant 2002 and 2008; Anonymous Was A Woman Award 2019; Latinx Artist Fellowship 2021. Collections include the Smithsonian Museum of Art, El Museo del Barrio, Lowe Art Museum. Her book, Elia Alba, The Supper Club (Hirmer 2019) brings together artists, scholars and performers of diasporic cultures, through photography, food and dialogue to examine race and culture in the United States.
Please register here.
March 16, 2022 – Kelli Morgan, Ph.D.
Professor of the Practice & Director of Curatorial Studies
Department of the History of Art and Architecture
Tufts University
“The Art of Whiteness and Empire”
Please register here.
March 23, 2022 – Jason Nguyen
Assistant Professor
John H. Daniels Faculty of Architecture, Landscape, and Design
University of Toronto
“Images of Abundance, Networks of Consumption: Early Research on the Marine Ecology of Colonial Canada”
Please register here.
March 30, 2022 – Lamia Balafrej
Associate Professor, Department of Art History
UCLA
“On Slavery, Instrumentality, and the Image in Medieval Islam”
Please register here.
April 13, 2022 – Genevieve Yue
Assistant Professor of Culture and Media
Director of Screen Studies, Eugene Lang College, the New School
“The Woman in the Film Archive”
The film archive is outwardly governed by a rational, orderly system, though less attention is given to the operation of desire that undergirds it. In archival theory, this is sometimes articulated as a quest for Gradiva, a chimerical woman from an obscure early twentieth century novella by Wilhelm Jensen. In this talk, trace the Gradivan motif of the vanished woman from writings by Sigmund Freud and Jacques Derrida to its expression in films by Bill Morrison, Cheryl Dunye, and Radha May.
Please register here.
April 20, 2022 – Alicia Walker
Professor, Department of History of Art, Bryn Mawr College
“The Materiality of Xaris in Early Byzantium”
Please register here.
The Greek word xaris was associated with the idea of divine grace in early Christian thought. Less often recognized, however, the term had deep roots in the Greco-Roman pagan tradition, which associated xaris with the radiating beauty and charisma of the gods. Alicia Walker reconsiders a corpus of early Byzantine gold jewelry that is typically explained in terms of Christian iconographic and theological principles. She proposes these objects should instead be understood as bridging Greco-Roman ideals of physical beauty and allure with emerging early Christian principles of spiritual power.
