Special Lecture: Giorgia Lupi: Data Humanism-October 25, 2022

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Join the President’s Office for a talk about “data humanism” with Giorgia Lupi, an award-winning information designer and a partner at Pentagram design studio in New York City.

Giorgia Lupi is an information designer and artist whose research and practice uses data as a tool to better understand human nature. Lupi, an advocate for data humanism, uses data visualization as her expressive medium to narrate what she discovers. As we are impacted by algorithms, infographics, and big data, Lupi analyzes this data to create informational graphics that translate into narratives, visual, and tactile structures, immersive websites, and interactive experiences that render the data approachable and enable the viewer or participant to understand the information and locate its relevance in their lives and the lives of others.

4:30PM – 5:30PM
Carpenter Library, Room 21

October 26, 2022 – Paul M. Farber, PhD

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Paul M. Farber, PhD
Director and Co-Founder, Monument Lab
Senior Research Scholar, Center for Public Art and Space, University of Pennsylvania

“Monument Lab: On Civic Practice and Possibility”

We encourage everyone who is on campus to join us for this in-person talk in Old Library 224. If you are not able to join us in person, please register for the Zoom link at https://visualculture.blogs.brynmawr.edu/

November 2, 2022 – Linda Kim

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Linda Kim
Associate Professor of American and Modern Art, Drexel University

“Reciprocal Models: Imperial and Racial Formations at the 1893 Chicago World’s Fair”

We encourage everyone who is on campus to join us for this in-person talk in Old Library 224. If you are not able to join us in person, please register for the Zoom link at https://visualculture.blogs.brynmawr.edu/

 

November 9, 2022 – Dr. Mia L. Bagneris via Zoom

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Dr. Mia L. Bagneris
Associate Professor, Art History & Africana Studies
Director, Africana Studies Program
Tulane University, New Orleans, LA (Bulbancha)

Imagining the Oriental South: The Enslaved Mixed-Race Beauty in British Art and Visual Culture, c. 1865-1880
 
Using works like John Bell’s Octoroon (1868) and Robert Gavin’s Quadroon Girl (ca. 1872) as case studies, this talk explores Britons’ pronounced and continued fascination with the figure of the enslaved American mixed-race beauty—even and especially after the abolition of slavery in the United States rendered the potential of such figures as tools for abolitionist suasion obsolete.  I analyze marked visual and rhetorical echoes between representations of the so-called “tragic” mulatto, quadroon, or octoroon and concurrent expressions of Orientalism.  Ultimately, I argue that, against the upright image of Victorian England, the American South—and especially Catholic Louisiana—could be imagined as a place of luxury, debauchery, and desire, a perfect echo to the “Orient” in the British popular imagination and one made stronger by the perceived association of both regions with the traffic in pretty women as “sex slaves”.
This event will be offered via Zoom. To register, please go to https://visualculture.blogs.brynmawr.edu/

November 16, 2022 – Anthony S. Foy

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Anthony S. Foy
Associate Professor of English Literature
Swarthmore College

“Racial Publicity and the Self Unseen: Black Autobiography after the Halftone”

We encourage everyone who is on campus to join us for this in-person talk in Old Library 224. If you are not able to join us in person, please register for the Zoom link at https://visualculture.blogs.brynmawr.edu/

November 30, 2022 – Sonal Khullar

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Sonal Khullar
W. Norman Brown Associate Professor of South Asian Studies
Department of History of Art
University of Pennsylvania

“Decolonizing the Field: Art, Event, and Environment in India”

Referring to uses of the ‘field’ in art historical and anthropological discourses, this presentation considers a turn to site-specific, socially engaged, and collaborative artistic practices in India over the past two decades. Contemporary artists have assumed the role of fieldworkers, moving across scales and between sites over an extended period to critique modernist and capitalist systems. Through new languages of art and forms of relation, their practice challenges the organization of the art world. The affect and address of this art resonates with new modes of protest, demonstration, and gathering and with old patterns of pilgrimage, procession, and public action in South Asia. It demands reflection on methods in art history and the work of the art historian. 

We encourage everyone who is on campus to join us for this in-person talk in Old Library 224. If you are not able to join us in person, please register for the Zoom link at https://visualculture.blogs.brynmawr.edu/