November 12 – Jonathan Conant

Jonathan Conant, Assistant Professor, Brown University
“Defying Attila: Slavery, Violence, and the Precariousness of Social Obligations in the Late Antique Mediterranean”
Monday, November 12, 2012, 5pm
Carpenter B21 (followed by a reception in the Quita Woodward Room)

In 443, Romans living along the empire’s Danube frontier defied the imperial administration and refused to accede to Attila the Hun’s demand that they surrender fellow citizens into captivity as the price of peace. At the same time, bishops throughout the Mediterranean—including Augustine of Hippo—found themselves confronted with the problem of free (or freed) Roman citizens being captured by slave traders and sold into bondage to their fellow Romans within the territory of the late Roman state. In light of the susceptibility of Roman populations to violent enslavement in late antiquity, this paper will explore fourth- and fifth-century conceptions of what members of a society owed one another, why, and how far those obligations extended.

This talk is held in connection with the Graduate Group seminar “Carthage: The View from Elsewhere”, and is sponsored by the Graduate Group in Archaeology, Classics, and History of Art.

November 2 – Michaël Darin Seminar

The Center for Visual Culture and the Department of the Growth and Structure of Cities at Bryn Mawr College and the Art Department at Swarthmore College are offering a special seminar on 19th-century Paris and have invited a scholar from Paris to address the subject of modern urban planning.

“La Comédie Urbaine” : Paris as an urban form

What makes Paris modern?  What went into the planning and shaping of Paris?  What is particular to its form and how did it come to be a model for urban planning?  How is its form studied?

Michaël Darin, Professor at the Ecole Nationale Supérieure d’Architecture of Strasbourg, France, has taught and published widely in the field of architectural history and urbanism, with recent publications including studies on Paris’ morphology, “La Comédie Urbaine” (2009) and “Pathworks parisiens, petites leçons d’urbanisme ordinaire” (2012), and various studies on Tel-Aviv, La Roche-sur-Yon and Pontivy, as well as articles concerning the history of the boulevard and topics in 20th-century architecture.

If interested in Paris, urban studies and/or architecture, you are encouraged to participate.  The event will be in English.

11:00  Friday, Nov. 2, 2012
Ely Room, Wyndham
Bryn Mawr College

Lunch will follow the seminar.

Bryn Mawr students, please RSVP to Jeffrey Cohen, jcohen@brynmawr.edu
All other students, please RSVP to Min Kyung Lee, mlee5@swarthmore.edu

September 26 – José Galvez Lecture

You are invited to a public lecture sponsored by

Mujeres, LALIPC, the Center for Visual Culture, the Department of Spanish, and the Department of History

José Galvez
Photograper and Writer

will give the

National Hispanic American Heritage Month Keynote Lecture

on the Latino/a Experience in America captured through his photography

***
Wednesday, September 26
7:30 pm
Thomas Great Hall

A reception will be held at 5:30 pm in Special Collections, 2nd floor of Canaday Library

– In addition to his lecture, a selection of Mr Galvez’s photographic work will be displayed on the second floor of Canaday Library throughout the fall semester.

About José Galvez:
For over 40 years, José Galvez has used black and white film to create a powerful and unparalleled historical record of the Latino experience in America. His compelling work, done with respect, pride and no pretense, captures the beauty of daily life. For José, photographing the lives of Latinos is not a one-time project or “current passion” but a lifelong commitment. As an artist, he photographs nothing else. His personal history, love of family, and cultural knowledge enable him to pursue his work with a reverent understanding of the stories behind the images.

September 27 – Nancy Wilke Lecture in Archaeological Heritage

From Columns to Corridors: An American Legacy in Restoration and Cultural Policy Abroad
Christina Luke, Boston University
Co-sponsored by the Penn Cultural Heritage Center.

Classroom 2, Penn Museum
3260 South Street, Philadelphia. Use the Kress Entrance (at the east)
Time: 6:15 pm

For information and to join the speaker for dinner contact aiaphiladelphia@gmail.com; 484-278-4379.

Luke Poster rev-2

October 11 – Henry Maguire Lecture

Meadows of Delight: Metaphor and Denial in Byzantine and Western Medieval Art

Henry Maguire
Professor Emeritus of Art History, John Hopkins University
Thursday, October 11, 5:00pm, Carpenter B21

After the eighth century, motifs from nature, such as animals and plants, were more prominently displayed in Western churches than in those of the Byzantines, sometimes even appearing in the principal apses, in direct imitation of early Christian models.  In Byzantium, there was a rich literary tradition of verbal and written metaphors drawn from nature, especially addressed to the Virgin, but the art of Byzantine churches often excluded all reference to nature from holy images.   This presentation explores the root causes of this division between Eastern and Western art, which is to be found in contrasting attitudes toward the sacred image.  In Byzantium, a fear of venerating nature lingered after Iconoclasm, while in the West, animals and plants lost much of their association with idolatry, becoming, instead, a language for understanding the divine.

Reception immediately following the lecture, London Room, Thomas Hall

This event is free and open to the public.

Sponsored by the University Seminars Program of the Onassis Foundation (USA), The Center for Visual Culture and the Department of History of Art, Bryn Mawr College

September 19, 2012 – Mario M. Ruiz

Associate Professor, Department of History
Hofstra University
“The (Egyptian) Artist: Mohamed Bayoumi and Silent Cinema in Cairo”

Although not widely known, Mohamed Bayoumi was one of the great pioneers of Egyptian cinema. Born in 1894, Bayoumi left Egypt in 1920 to study filmmaking in Berlin. When he returned in 1923, he created his own newsreel and proceeded to shoot a series of short silent films. In this talk, I examine one of Bayoumi’s earliest films, Barsum yabhath ‘an wazifa/Barsum is Looking for a Job. Barsum represents Bayoumi’s first stand-alone directorial effort and deals with contentious social issues such as urban poverty and Coptic-Muslim relations in Cairo. I revisit this pioneering work and ask why Bayoumi championed the notion of film as an object of possibility, humor, and political significance.

Co-sponsored by the Program in Middle East Studies, Bryn Mawr College

October 3, 2012 – Amanda Weidman

Associate Professor
Department of Anthropology
Bryn Mawr College

“Female Voice-Body Relationships and the Acoustic Organization of Tamil Cinema, 1940-1960”

This talk will explore how relationships between the female voice and the female body were managed in South Indian Tamil-language cinema of the 1940s and 1950s, during the transition from singing actresses to the division of labor between professional playback singers who recorded their voices in the studio and actresses who appeared on screen.  While the relationship between the female voice and the female body was managed through a combination of technological, discursive, and performative means in the world of South Indian classical music, it was simultaneously being negotiated in the context of cinema, where technological mediation provided expanded possibilities for representing voice-body relationships. Examining several Tamil films from this period, we can see a variety of ways in which the potentially problematic spectacle of a performing female body was presented.