November 12, 2014 – Timothy McCall

Associate Professor of Art History
Department of History, Villanova University

“’Ussire da le cose de putti et fare le cose de homo’: Material Culture, Courtly Gifts, and Masculinity in Early Renaissance Italy”

For a Renaissance boy to become a lord – and “leave behind childish things and do manly things” as Francesco Sforza duke of Milan instructed his son Galeazzo – required that he perform and embody values which were, at once, martial and amorous, enthralling and violent, domineering and charismatic. This demanded not only models to follow, but objects to possess, wear, and command. Attentive to the agency and even volition of material culture, we will investigate the sorts of things – brocaded garments and hunting animals in particular – that lords wielded, gave, and displayed to fashion and demonstrate ideals of courtly masculinity in fifteenth-century Italy.

TMcCall

November 19, 2014 – Michelle H. Wang

Lecturer, Department of History of Art
Bryn Mawr College

“On the Decorative Edge: Function and Form in Western Han Eave Tiles (206 BCE-9 CE)”

During the Western Han dynasty (206 BCE-9 CE), the skyline of its capital at Chang’an was composed of lines of eave tiles—circular ceramic fixtures that hang off the edges of roofs. This talk examines eave tiles with writing as their main decorative feature to argue that the ways in which these characters were designed, manufactured, and replicated reveals how Han designers blurred the grammars of ornament and writing in order to produce a unified decorative skin for Western Han imperial architecture.

MWang

Monday, May 5 – The Great Confusion: The 1913 Armory Show


The Great Confusion: The 1913 Armory Show
Directed by Michael Maglaras (2013)

Monday May 5, 7pm;
Bryn Mawr Film Institute

824 W. Lancaster Avenue · Bryn Mawr, Pennsylvania 19010 · Theater Hotline: 610.527.9898


When the doors of New York City’s 69th Regiment Armory opened in 1913, thousands of Americans were exposed to the then-controversial works of Cézanne, Van Gogh, Renoir, and many other modern artists for the first time. The Great Confusion probes into the backstage efforts of the artists who organized the show, working tirelessly to bring an art revolution to America.

Director Michael Maglaras and Executive Producer Terri Templeton will participate in a Q&A following the screening.

Presented in conjunction with Bryn Mawr College’s exhibition A Century of Self-Expression: Modern American Art in the Collection of John and Joanne Payson, which features works by many of the Armory Show organizing artists, this event is free for BMC students, faculty, and staff.

JOIN US AT THE BRYN MAWR FILM INSTITUTE FOR THE SCREENING AND Q&A.
STOP BY THE SHOW AT BRYN MAWR COLLEGE CANADAY LIBRARY — OPEN DAILY NOON TO 4:30PM AND UNTIL 6PM ON MONDAY MAY 5TH.

March 28 and 29 – A Century of Self-Expression

Artist talk with painter Yvonne JacquetteFriday, March 28, 6:00 pm, Bryn Mawr College Thomas Hall 224

Breakfast buffet and presentations by Armory Show scholar Laurette McCarthy and 360 Program students

Saturday, March 29 9:30am, Bryn Mawr College Thomas Hall 110

Please learn more about the exhibition, related courses, and upcoming screenings and other events at

https://www.youtube.com/watch?v=f-5pOBXgvI0

http://www.brynmawr.edu/library/exhibitions.html

https://www.facebook.com/pages/Friends-of-the-Bryn-Mawr-College-Library/205274397222

http://modernart360.blogs.brynmawr.edu/

On behalf of the students, faculty, staff, and supporters responsible for this project, thank you for your time.

*Exhibition in Canaday Library (open noon to 4:30 daily) open Friday until just before 6pm talk.

*Did you read the part about breakfast on Saturday morning?

For more information, please contact:
Brian Wallace (bwallace@brynmawr.edu)
Bryn Mawr College Curator and Academic Liaison for Art and Artifacts

 

 

 

February 7: Special Lecture-Matthew Canepa

Matthew Canepa, University of Minnesota
University of Pennsylvania Archaeology Museum, Classroom 2
“Archaeologies of Iranian Identity in Late Antique Western and Central Asia.”

Lecture series sponsored by the University of Pennsylvania’s Center for Ancient Studies, Center for Middle Eastern Studies, and Departments of the History of Art, Near Eastern Languages and Civilizations, Religious Studies and Classical Studies

March 5: Special Lecture – Alexandr Naymark

Alexandr Naymark, Hofstra University
Jaffe Bldg. 113, 34th and Walnut Street, University of Pennsylvania:
Wednesday, March 5, 5:30-7PM
“Visual Programs after the Islamic Conquest:  The Varakhsha Palace and the Fate of its Owners, the Bukhar Khudas“

Lecture series sponsored by the University of Pennsylvania’s Center for Ancient Studies, Center for Middle Eastern Studies, and Departments of the History of Art, Near Eastern Languages and Civilizations, Religious Studies and Classical Studies

March 19: Special Lecture – Matteo Compareti

Matteo Compareti, ISAW, NYU
Wednesday, March 19, 5:30-7PM, Jaffe Bldg. 113, 34th and Walnut Street, University of Pennsylvania
“On the Painting Programs in Sogdian Paintings before and after the Islamic Conquest: Sources, Narratives, Styles”

Lecture series sponsored by the University of Pennsylvania’s Center for Ancient Studies, Center for Middle Eastern Studies, and Departments of the History of Art, Near Eastern Languages and Civilizations, Religious Studies and Classical Studies

April 2: Special Lecture – Judith Lerner

Judith Lerner, ISAW, NYU
“Visual Cultures of Greater Iran: The Art of the Sasanians, Kushano-Sasanians and the ‘Iranian’ Huns in Bactria.”
Wednesday, April 2, 5:30-7PM, Jaffe Bldg. 113, 34th and Walnut Street, University of Pennsylvania

Lecture series sponsored by the University of Pennsylvania’s Center for Ancient Studies, Center for Middle Eastern Studies, and Departments of the History of Art, Near Eastern Languages and Civilizations, Religious Studies and Classical Studies

January 22, 2014 – John Kelly

Performance Artist in Residence

About John Kelly

John Kelly is the recipient of numerous awards including two Bessie Awards, two Obie Awards, two NEA American Masterpiece Awards, an American Choreographer Award, a CalArts/ Alpert Award in Dance/Performance, a Visual AIDS Vanguard Award, and the 2010 Ethyl Eichelberger Award. His fellowships include the Rome Prize in Visual Art at The American Academy in Rome, The Radcliffe Institute for Advanced Study at Harvard, The Guggenheim Foundation, The Greenwall Foundation, The New York Foundation for the Arts, and Art Matters, Inc.

John Kelly